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I Don't Know Anyone Here

Jonathan Daniel Gardner

Jonathan Daniel Gardner invites us into a party and hands us a cocktail of sharp dialogue and fascinating characters. We love the banter and the weight of the space in this story about the tension between presentation and authenticity.

—Amanda, Editor

Frank had heard about the party from someone who made it sound like field work with cocktails. She forwarded me the invite with a single line: You’re going, because I can’t. She had a trip, or a meeting, or a boundary. I went alone, which was required.

The building was a limestone stack in Brooklyn Heights with a lobby that smelled like eucalyptus. Someone had left a bicycle inside, leaned carefully against a bench it had no right to touch. Upstairs, a door was already open, sound spilling out. Laughter that started before the joke finished. 

A woman with excellent posture took my coat. “House rule,” she said, not smiling. “No introductions. No resumes. No context.” 

“Perfect,” I said. “I was planning to lie anyway.”

She tried not to smile, failed. “Drinks are in the kitchen.”

The apartment was enormous. Tall ceilings, no visible clutter. People stood angled toward one another, drink doing most of the talking. A scented candle was having a personality crisis near the window. 

Someone handed me a drink without explanation. Gin. Floral. Cold. Already decided.

A man in a blazer with no shirt underneath said, “So.”

“So,” I said.

He sipped his drink.

“I’m hoping that was the whole thing,” I said.

He laughed. “You’re good at this.”

“Not being helpful is my main talent.”

He nodded, satisfied, and drifted away.

A woman in a bowler leaned in, timing it. “What do you do when you’re not doing this?”

“I’m very focused on here,” I said. “It’s taking most of my attention.”

“That’s a dodge.”

“It’s a lifestyle choice.”

She smiled, like she respected the effort.

Someone clinked a glass. “Reminder,” a voice said from the ceiling’s general authority. “You can’t tell anyone what you do, where you’re from, or why you think you’re interesting.”

A man raised his hand. “Can we tell people why we’re sad?”

“Only if it’s funny,” the voice said.

A woman with a severe haircut and a plastic cup stopped in front of us like she’d been assigned.

“What are you afraid of?” she asked.

The bowler woman tilted her head. “Right now?”

“Generally,” the woman said.

“Being trapped,” the bowler woman said, without hesitation.

The woman nodded. “That’s not it.”

The bowler woman smiled. “See? This is why people avoid you.”

The woman turned to me. “You.”

I looked at my drink. “Sharks.”

She blinked. “Try again.”

“I don’t know,” I said. “Making someone responsible for me.”

She considered this.

“That’s closer,” she said. “But you like that part.”

“I like clarity,” I said.

She waved a hand like she was clearing smoke. “No. You like being necessary. That’s different.”

The bowler woman laughed softly.

“Okay,” the severe woman said. “Who’s next?”

A man behind her said, “Heights.”

She nodded. “Classic lie.”

“Jesus,” the man said.

“People who are afraid of heights are afraid of stillness,” she said. “They don’t trust themselves not to step forward.”

The man looked at his shoes.

“Okay,” he said. “I’m afraid of being boring.”

She smiled. “There it is.”

Someone bumped into her shoulder and she drifted away without saying goodbye, already scanning for the next person.

The bowler woman looked at me.

“You did fine,” she said.

“That felt like an exam,” I said.

“You passed,” she said. “You just didn’t like the grading system.” 

At some point, the woman in the bowler appeared next to me. She was holding a drink she hadn’t touched.

“You seem very comfortable,” she said.

“You think so?” I said.

“How do you know the host?” she asked.

“I don’t,” I said. 

She smiled. “That tracks.”

“Sorry,” someone said, squeezing between us.

When they were gone, she said, “You’re working the room.”

“I’m hiding in plain sight.”

“You answer every question sideways.”

“Forward is crowded.”

She smiled. “What happens if someone asks you something simple?”

“I make it worse.”

She took a sip. “Try me.”

“Okay,” I said. “Go simple.”

We were interrupted by a man who had decided the couch was a stage. “I think,” he said. “That the problem with this generation—”

“Nope,” several people said immediately.

He bowed and accepted a drink as consolation.

The woman leaned against the counter. “You like being the clever one.” 

“Someone has to keep things moving.”

“Or you could just be real for a second.”

“You’re trying to corner me.”

“I’m trying to see if there’s anything behind the fencing.”

“Furniture,” I said. “Nothing load-bearing.”

She smiled again, this time slower. “You keep describing structures.”

“I do love a metaphor.”

“Tell me something you didn’t build an exit around.”

I took a drink. Watered-down gin.

“I think,” I said. “That happiness is just enough obligations.”

“Almost,” she said. She didn’t smile.

“Don’t get excited,” I said. “It’s provisional.”

“I can work with that.”

A man I hadn’t noticed before was suddenly there, close enough to suggest urgency. He was older, or maybe just tired. His jacket was too warm for the apartment. He smelled like soap and medicine.

“Can I ask you something?” he said.

“Sure,” I said.

“Thanks,” he said. “I don’t need help. I just need to say it out loud once.”

We stood near the end of the counter, where people paused to decide whether they were hungry enough to commit. He looked at the ice, then back at me.  

“My son doesn’t call anymore,” he said. “I don’t think he’s mad. I think he’s busy. Which feels worse, somehow.”

The ice in my glass shifted with a clink. 

“That makes sense,” I said. “Busy is harder to argue with.”

He laughed, surprised. “Exactly. You can’t apologize to busy.”

“No,” I said. “You can only wait.”

He took a drink and grimaced. “This is terrible.”

I let that stand.

“Anyway,” he said. “Thank you. I just needed someone who wouldn’t panic.”

“I’m very calm in low-stakes emergencies.”

He laughed and patted my arm like we’d completed something together.

The woman in the bowler was watching us. When our eyes met, she raised her glass slightly, not in a toast. More like an acknowledgment.

By the bookshelf, a drunk woman was insisting that no one really liked novels anymore, only the idea of having finished one. The bowler woman stood beside me, listening with polite seriousness.

“What do you read when you don’t want to be impressed?” she asked.

“I reread things,” I said. “It saves time.”

She smiled. “From what?”

“Deciding,” I said.

Later, in the kitchen, a man was crying quietly over the ice, his head bowed like he was waiting for instructions. I was handing him a napkin when she appeared at my shoulder.

“You’re very good at arriving right before something breaks,” she said. 

“I like to catch things early,” I said.

“And then?”

“And then I step back.”

She nodded, like she’d been waiting for that answer.

We ended up closer without either of us moving, the room rearranging itself around us.

“You’re very charming without being available,” she said.

“That’s generous,” I said. “I think of it as being courteous with limits.”

“And whose limits are those?”

“Mine,” I said. “Mostly.”

She laughed. “You’re exhausting.”

“You say that like it’s a flaw.”

“I’m just disappointed.”

I opened my mouth automatically and then closed it sharply.

“I’m better in theory,” I said.

She didn’t smile.

“That’s not an answer,” she said.

I nodded and took a sip of mostly melted ice.

“That’s it?” she said.

“That’s all I’ve got.”

She studied me, not unkindly. “You almost told me something.”

The music shifted. Something bass-heavy and impatient. Someone spilled a drink. Someone else danced alone, earnestly.

“Bathroom,” she said suddenly. “Don’t disappear.”

I smiled. 

I didn’t wait.

I slipped out quietly, thanked the woman with posture. The lobby was empty now, the bicycle still leaning. Outside, the air was cold.

Brooklyn Heights at night minded its own business. Brownstones stayed still. A dog barked once, then reconsidered. I walked downhill, hands in pockets, the buildings loosening as I went.

Cobble Hill met me how it always does. Quieter. Closer. Less impressed. A couple argued softly on a stoop. A man smoked and looked like he was waiting for permission to go inside. The bodegas were still awake, fluorescent and patient.

The walk ended where it always does, and I unlocked the door quietly. 

Outside, a man rode by on a bicycle singing a song way out of his register. Inside, I lay on the fainting couch and didn’t review the night.

The singer missed a high note and then committed to it.

Jonathan Daniel Gardner is a writer from the American South. He currently lives and writes in Brooklyn, New York, where he has developed a complicated relationship with errands and a rich inner life about public transportation. His work has appeared or is forthcoming in The Brooklyn Rail, Identity Theory, Maudlin House, and elsewhere. He holds a degree in Creative Writing from The New School and is currently completing his first novel, In Moon I Keep You. Find him on Instagram: @jonathandanielgardner

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